Brooklyn is Watching (BiW) hosts a sim in Second Life which is a wonderful curatorial project that invites SL artists to create artwork on their space. The resulting creations range in quality and are subject to commentary by a weekly podcast by several commentators. I’ve been a guest podcaster a few times, participating in a production of the absurd: a radio podcast commentary of an entirely visual environment that most people don’t understand.
On Friday I went to the BiW presentation of The Final Five at Jack the Pelican Presents (JTTP) Gallery in Williamsburg. These were the five selected artworks which were presented on montiors with headphones and a voting sheet. My major critique is that the BiW project seems to presents Second Life art from the vantage point of an insider’s perspective rather than a contemporary art point-of-view.
This doesn’t have to be the case. There are a number of works which bridge the virtual and the real including RMB City (Cao Fei), Invisible Threads (Stephanie Rothenberg and Jeff Crouse), The Salt Satyagraha (Joe Delappe), in all fairness to the dialogue, my collaboration with Victoria Scott, No Matter and not to overlook the recent Summer of Love 2.0 (Patrick Lichty)
The presentation of the BiW works at the gallery reinforced this â€” a level of confusion for the viewers who often had more general questions of what is Second Life and so often didn’t even understand what they were judging. Coupled with the fact that you had to put headphones on to listen to one our rambling podcasts, I wondered how successful this physical exhibition was.
The strength of Brooklyn is Watching is in the community it creates â€” and I would like to see them explore this side of things: discussing Second Life works but in a way that creates a tangible bridge to the real. This is why the podcasts have been sucessful because it makes the broadcasters and the audience strain to understand what is not in front of them: an imaginary realm that reflects the nature of Second Life itself.
I had a little fun of my own and during the show itself, I sneaked onto the computer and transferred $50L to my own avatar, Great Escape from the BiW avatar. Hey, performance art costs money!