On March 27th & 28th (2015), Victoria Scott and I will be conducting a workshop in Winnipeg around the “libricide” in Canada’s DFO libraries. The full article on their closures is here.
Here’s the description
On March 27th & 28th, 2015, San Francisco-based artists Victoria Scott and Scott Kildall will be leading 2-day, hands-on workshop to physically re-imagine and re-materialize some of the lost titles of the Freshwater Institute Library. We will discuss, imagine, draw, map and construct while listening to soothing water sounds and watching water-related videos. We will also discuss methodologies of data visualization and create a map which tracks the migration of these materials from publicly-funded resource into private hands and landfill.
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@SelfiesBot began tweeting last week and already the results have surprised me.
Selfies Bot is a portable sculpture which takes selfies and then tweets the images. With custom electronics and a long arm that holds a camera that points at itself, it is a portable art object that can travel to parks, the beach and to different cities.
I quickly learned that people want to pose with it, even in my early versions with a cardboard head (used to prove that the software works).
Last week, in an evening of experimentation, I added text component, where each Twitter pic gets accompanied by text that I scrape from Tweets with the #selfie hashtag.
This produces delightful results, like spinning a roulette wheel: you don’t know what the text will be until the Twitter website pubishes the tweet. The text + image gives an entirely new dimension to the project. The textual element acts as a mirror into the phenomenon of the self-portrait, reflecting the larger culture of the #selfie.
Produced while an artist-in-residence at Autodesk.
And this is the final version! Just done.
This is the “robot hand” that holds the camera on a 2-foot long gooseneck arm.
While a resident artist at Autodesk, we are supposed to write many Instructables. Often, the temptation is to make your projects and then write the how-to-guides in a haste.
Since I broke my collarbone, I really can’t make anything physical, but I can type one-handed. Besides the daily naps and the doctors’ appointments, and slowly doing one-handed chores like sorting laundry, I have to keep my mind active (I’m still too vulnerable up to go outside on my own).
Here is a new one: an Introduction to Git and GitHub. I originally found this source-control system to be weird and confusing, but now I’m 100% down with it. Feel free to add comments on the guide, as I’m a relative Git/GitHub nOOb and also have a thick skin for scathing Linux criticism.
Full Instructable here:
And here is my post-surgey selfie from yesterday, where they put the pins in my collarbone. The doctors told me it went well. All I know is that I woke up feeling groggy with extra bandages on my shoulder. That’s how easy it is these days.
I just finished reading “Queer Latinidad” by Juana Rodriguez, which I downloaded for the Kindle (perfect medium for theories of electronic discourse).
This single purchase seems to have glitched my Amazon preferences. As a straight, white male, I now get recommendations that contradict my “personality profile”. Check these out:
Onto the text itself: I found myself fascinated by Rodriguez’s textual interactions and queer latina identity, especially since her world of net.interaction happened in a pre-Facebook world with IRC chat rooms (really not that long ago…)
My favorite passage in the book is this one
Digital discourses, those virtual exchanges we glimpse on the Net, are textual performances: fleeting, transient, ephemeral, already past. Like the text of a play, they leave a trace to which meaning can be assigned, but these traces are haunted by the absence that was the performance itself, its reception, and its emotive power. To write about these online performances already alters their significance; a shift in temporal and spatial context produces a shift in meaning.
I remember the textual performances (as Second Front) we did in Second Life such as “Breaking News” (also not that long ago). The “playbook” for this performance was simply: we go into the Reuters headquarters and use the chat window to shout headlines such as: BREAKING NEWS: AVATARS IN REUTERS NEED ATTENTION!
But now, the performance only exists in writing, and absurd documentation videos like this:
I like helping people and making simple tools to share. This measures plywood sheets, fits in your pocket and can be laser-cut in 3 minutes. The Instructable is here (Illustrator file included).
On the weekend of March 31st-April 1st, Upgrade! SF (I am one of the co-founders) produced its first ever workshop. The theme was Augmented Reality and the guest instructor from Boston was artist John Craig Freeman.
The full reportback is here on the Upgrade SF! site
Here’s a reportback from the Plastic Forever project — an ongoing art collaboration by Richard Lang and Judith Selby — at the Mountain Film Festival in Telluride.Â Their process involves finding discarded plastic debris and displaying aggregates of toys, lighters and other knickknacks in photos, sculptures and other works, breathing aesthetic life into these (mostly) non-reusable items.
For the festival, they built trophies from found plastic materials in Telluride itself.
And here is an award recipient, who is displaying her prize.
The conceptual tension behind their work reminds me of Edward Burtynsky’s photographs, which are beautiful depictions of ugly manufacturing processes.
Don’t be intimidated, this essay by Michel Foucault is an easy read and highly relevant to the theme of Re-conceptualizing Space.
Today begins my stint as Eyebeam’s guest reblogger for a two week cycle. You will see a breif study of common points along a number of disciplines including art interventions, astrophysics and virtual worlds, among others. I will examine how “space” itself has changed in the last 10 years.
Foucault coins the term “heterotopia” as a real place, which acts as a practical utopia and serve as a site to represent and invert the culture it surrounds. I’m particularly enamored of the forth principle: the linkage to time-slices. Cited examples include the cemetery, the boat and the brothel. Print it out, find a cafe and have a good read. Thanks to my good friend, Paul LaFarge for the suggestion.